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Pedestal up

Вертикальный сдвиг вверх

Камера перемещается вертикально вверх, сохраняя горизонтальное направление взгляда. Новая высота меняет видимость поверхностей и перекрытие объектов, постепенно раскрывая детали, скрытые передним планом.

Промпт

Camera: pedestal up. Movement: Translate the entire camera straight upward in one continuous shot. Speed: Slow, steady vertical travel. Framing: Keep the optical axis horizontal, with fixed viewing direction and focal length; the change in framing comes from camera elevation rather than tilt. Maintain a horizontal optical axis throughout; changing visibility of upper and lower surfaces must come from the camera’s vertical translation. End: Stop at the new height and hold the higher viewpoint.
Сгенерировать

Как использовать

Возьмите человека или предмет на фоне полок, плитки или горизонтальных линий. Вставьте блок движения камеры. Камера должна двигаться вверх целиком, без запрокидывания или опускания взгляда.

Похожие приёмы

  • Camera: crane down. Movement: Move the entire camera smoothly downward through open space on a crane-style path in one continuous shot. Speed: Slow, controlled descent with a gentle finish. Framing: Maintain a fixed focal length and a level horizon; adjust the vertical viewing angle only as needed to keep the main subject readable as the camera changes height. Make the physical height change clearly visible through shifting foreground overlaps; use only a small compensating tilt to retain the visual anchor. End: Settle at the lower viewpoint and briefly hold.

  • Камера поднимается над музыкантом, раскрывая просторы леса.

    Camera: crane up. Movement: Move the entire camera smoothly upward through open space on a crane-style path in one continuous shot. Speed: Slow, controlled lift with a gentle finish. Framing: Maintain a fixed focal length and a level horizon; adjust the vertical viewing angle only as needed to keep the main subject readable as the camera changes height. Make the physical height change clearly visible through shifting foreground overlaps; use only a small compensating tilt to retain the visual anchor. End: Settle at the elevated viewpoint and briefly hold.

  • Camera: pedestal down. Movement: Translate the entire camera straight downward in one continuous shot. Speed: Slow, steady vertical travel. Framing: Keep the optical axis horizontal, with fixed viewing direction and focal length; the change in framing comes from camera elevation rather than tilt. Maintain a horizontal optical axis throughout; changing visibility of upper and lower surfaces must come from the camera’s vertical translation. End: Stop at the new height and hold the lower viewpoint.