Dolly out
Отдаление камеры
Камера физически отдаляется от объекта по прямой с неизменным фокусным расстоянием. Герой уменьшается в кадре, окружение раскрывается через изменение перспективы и взаимных перекрытий планов.
Промпт
Camera: dolly out. Movement: Move the camera physically backward away from the main subject along a straight path in one continuous shot. Speed: Smooth, controlled retreat with a gentle stop. Framing: Maintain camera height, viewing direction and focal length; the subject becomes smaller as camera distance changes, with natural depth and foreground parallax. Let nearby edges contract toward the viewing axis faster than distant details as camera-to-scene distance increases. End: Hold the wider composition from the new camera position.
Как использовать
Возьмите героя с читаемым окружением и запасом пространства. Добавьте блок камеры отъезда. Если нужен определённый фон за краями исходника, опишите его отдельно или добавьте референс.
Похожие приёмы

Dolly in
Приближение камеры
Camera: dolly in. Movement: Move the camera physically forward toward the main subject along a straight path in one continuous shot. Speed: Smooth, controlled approach with a gentle stop. Framing: Maintain camera height, viewing direction and focal length; the subject becomes larger as camera distance changes, with natural depth and foreground parallax. Let nearby edges expand outward faster than distant details, progressively uncovering previously occluded background as the camera advances. End: Hold the closer composition from the new camera position.

Push in with tilt
Приближение с наклоном вверх
Camera: push in with tilt. Movement: Move physically forward while tilting the camera upward in one continuous shot. Speed: Coordinate a slow forward glide with an even upward pivot. Framing: Keep focal length, camera height and roll fixed; reveal the upper part of the existing visual anchor as perspective changes with the forward travel. Make forward translation and upward rotation overlap in time; retain visible depth change so the result is not just a tilt from a fixed point. End: Stop the forward movement and tilt together, holding the upper framing.

Overtaking camera
Обгон героя камерой
Camera: overtaking camera. Movement: Move alongside the main subject, then advance slightly ahead while turning smoothly back toward it in one continuous shot. Speed: Travel modestly faster than the subject, then match its pace. Framing: Maintain camera height and focal length; transition continuously from side framing to a front three-quarter view as the camera overtakes. Let the relative angle change because the camera moves ahead; keep the subject’s established route intact rather than turning the subject to face the camera. End: Continue ahead of the subject at matched speed with stable th