Три четверти спереди

!!! ПРОМПТ ДЛЯ ГЕНЕРАЦИИ ИЗОБРАЖЕНИЯ С НУЛЯ
A handsome young man with dark hair, wearing a white shirt and dark trousers, walks through a narrow European street carrying a takeaway coffee. Old buildings and bicycles surround him. Soft morning daylight, realistic photography.


!!! ПРОМПТ ДЛЯ ИЗМЕНЕНИЯ РАКУРСА ИЗОБРАЖЕНИЯ
"Use the uploaded image as the immutable scene reference.

Treat the uploaded image as a single moment frozen completely in 3D space.

DO NOT rotate, turn, reposition, re-pose, mirror, or otherwise transform the person or any object in the scene.

The person's position and orientation are absolute world-space constraints. The body, torso, shoulders, hips, legs, feet, arms, hands, head, face, eyes, and gaze direction must remain pointing in exactly the same world-space directions as in the source image.

The person must NOT turn toward the camera.
The head must NOT follow the camera.
The eyes must NOT follow the camera.
The body must NOT be rotated to reveal another side.
Do not reinterpret the requested angle as a change in the subject's orientation.

MOVE THE CAMERA ONLY.

Starting from the original camera position, physically orbit the camera approximately 45 degrees around the stationary subject toward the subject's right side while maintaining approximately the same camera-to-subject distance and the subject's eye-level camera height.

After moving the camera, point the camera back toward the subject's existing fixed position.

The resulting change in visible surfaces of the person must occur ONLY because the camera has moved around the stationary person.

All other people, vehicles, furniture, architecture, props and environmental elements are locked in their original world-space positions and orientations.

Preserve the exact same instant in time, identity, facial features, expression, hairstyle, clothing, accessories, pose, gesture, action, lighting, shadows, materials and visual style.

Do not rotate the scene.
Do not rotate the subject.
Do not mirror the image.
Do not move objects to improve the composition.
Do not make the subject face the new camera.

Recompute only perspective, parallax, occlusion and background visibility that physically result from moving the camera.

Reconstruct newly exposed surfaces only where required by the new camera position and keep them consistent with the source image.

Think of the scene as a frozen 3D film set and the camera as the only object allowed to move.

Return one image."