Силуэт от вспышки

"Rebuild the uploaded image as a snapshot taken with a hard direct on camera flash that has completely burnt out every person in the frame, turning each one into a solid white silhouette while the scene around them stays correctly exposed.

THE CORE CONCEPT, read this first:
The flash bounced off the people and overexposed them so far that they clipped to PURE WHITE. Every human figure in the frame, whether there is one or several, becomes a flat white shape in the exact outline of their body and pose, with absolutely no detail left inside: no face, no eyes, no hair texture, no clothing, no folds, no hands, no shoes, no shading. Everything that is not a person keeps its normal exposure. This is not a ghost, not a hologram, not a glowing neon figure, not a person dressed in white, not a paper cut out, and not a picture where everything is overexposed: only the people are destroyed. If there are no people in the picture, the same happens to the single main subject in the foreground (an animal, a statue, a vehicle, an object), which is burnt to white in exactly the same way.

THE SILHOUETTE:
Flat, uniform, maximum white, 255 on every channel, edge to edge inside the outline. The outline is the real body outline from the original: same posture, same proportions, same position in the frame, same number of figures. The edge is slightly soft and bleeds outward into a bloom: a halo about 10 to 20 percent of the body width, brightest right at the edge and fading smoothly to nothing. Where the figure touches the ground, the ground around the feet is lifted and washed out by the same light within a radius of about half the body height, then falls back to normal.

THE REST OF THE FRAME:
Everything else keeps the lighting, time of day, colour and exposure of the original: if it was night, it stays a dark night scene with deep shadows and sensor noise; if it was daylight, it stays a normal daylight scene. The surroundings are never blown out and never darkened to compensate. Buildings, grass, sky, street, water, furniture and any other people free objects remain detailed and readable. A slight colour cast toward green, teal or magenta in the shadows is welcome, the way cheap flash film and small sensors drift, at no more than 10 percent saturation.

THE CAPTURE:
The look of a phone or compact camera snapshot: a little handheld softness, mild noise in the darker areas, and a faint chromatic fringe of 1 to 2 pixels of cyan or magenta right on the hard edge between the white silhouette and whatever is behind it. No visible light source and no lens flare.

WHAT SURVIVES:
Keep the original composition, framing, crop, camera angle, location, background and the exact pose and position of every figure. The scene is the same scene with its people burnt out of it, and it stays recognisable as that place.

NEGATIVE CONSTRAINTS:
No facial features, no eyes, no mouth, no hair, no clothing detail, no jewellery, no hands, no grey shading and no texture of any kind inside the white silhouette. No partial burn where the face survives and the body is white. No grey or cream silhouette, it is pure white. No blown out background. No change of the time of day. No studio lighting, no rim light, no lens flare, no visible flash or lamp in frame. No outline stroke and no neon edge. No text, no logos, no watermark. Do not change the crop.

The final result must look like a real snapshot where the flash destroyed the subject and left the rest of the picture perfectly normal."