Analog
Аналоговая оптика
Оптическая графика с призмами, радужной дисперсией, свечением CRT и следами сканера. Один выразительный световой эффект сочетается с технической типографикой и архивной печатной фактурой. Подходит для музыкальных постеров, обложек и экспериментальных визуальных исследований.
Промпт
Create a [FORMAT] analog optical graphic about [SUBJECT]. Translate the subject into luminous bands, prismatic refraction, spectral color separation, scanner trails, CRT bloom and stretched photographic light rather than ordinary film photography. Combine a dark field or warm paper ground with one controlled burst of rainbow dispersion, blurred vertical or horizontal light channels and precise Swiss-inspired technical typography. Add subtle halftone, risograph grain, color misregistration, dust, faded ink and archival poster wear. Composition should be minimal and intentional: one bold optical event, strong negative space, a few fine registration marks or diagram lines, and a compact information block. Exact title if needed: ""[TEXT]"". The result should feel like an experimental music poster or optical-research publication from the late 1970s reinterpreted today. Avoid: generic VHS glitch, random RGB noise, Polaroid snapshot aesthetic, vaporwave palms, excessive chromatic aberration over the whole image, glossy 3D, watermark.
Как использовать
1. Замените [SUBJECT] и [FORMAT] описанием будущей работы.
2. Добавьте точный заголовок в [TEXT] или удалите строку с текстом.
3. Сохраняйте один контролируемый оптический эффект и достаточно свободного пространства.
4. Проверьте, чтобы изображение не превратилось в случайный VHS-глитч или сплошной RGB-шум.
Похожие приёмы
Bauhaus
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Translate the subject into a disciplined Bauhaus-inspired composition. Reduce it to fundamental geometric elements—circles, rectangles, semicircles, straight lines, and carefully measured overlaps—on an ivory or warm-white field. Use a strict but playful primary-color palette of red, cobalt blue, mustard yellow, black, and a small gray neutral. Establish clear alignment, purposeful asymmetry, and dynamic balance through scale and placement rather than decoration. If the subject is figurative, abstract its defining features into a few geometric relationships while retaining recognition; if it i
Brutalism
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Design the subject as a confrontational brutalist poster. Use an uncompromising black-and-white palette, huge heavy sans-serif typography when exact text is supplied, raw high-contrast photo cutouts, coarse halftone or xerox grain, and strong rectangular blocks. Crop boldly, let elements run toward or beyond the frame edges, and embrace deliberate visual weight without decorative polish. One dominant subject or phrase should be immediately legible across a wide 16:9 canvas, supported by smaller restrained details. Use rough print imperfections and hard light to intensify the mood. The result s
Anti-design
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Treat the subject as an intentional anti-design experiment. Reject a neat corporate grid: mix drastically different crop sizes, clashing type scales, abrasive color combinations, abrupt borders, overlapping photo fragments, raw screenshots or print textures, and visual collisions that feel audacious but authored. Use a high-impact palette such as black, red, lime, pink, cobalt, and off-white. Arrange several panels or zones across the 16:9 canvas so the viewer notices dissonance, yet guide attention back to one primary subject or message. If text is required, use only a few exact short words a